Tag Archives: spectral frequency response

A Simple Model for Sharpness in Digital Cameras – Defocus

This series of articles has dealt with modeling an ideal imaging system’s ‘sharpness’ in the frequency domain.  We looked at the effects of the hardware on spatial resolution: diffraction, sampling interval, sampling aperture (e.g. a squarish pixel), anti-aliasing OLPAF filters.  The next two posts will deal with modeling typical simple imperfections related to the lens: defocus and spherical aberrations.

Defocus = OOF

Defocus means that the sensing plane is not exactly where it needs to be for image formation in our ideal imaging system: the image is therefore out of focus (OOF).  Said another way, light from a point source would go through the lens but converge either behind or in front of the sensing plane, as shown in the following diagram, for a lens with a circular aperture:

Figure 1. Back Focus, In Focus, Front Focus.
Figure 1. Top to bottom: Back Focus, In Focus, Front Focus.  To the right is how the relative PSF would look like on the sensing plane.  Image under license courtesy of Brion.

Continue reading A Simple Model for Sharpness in Digital Cameras – Defocus

A Simple Model for Sharpness in Digital Cameras – AA

This article will discuss a simple frequency domain model for an AntiAliasing (or Optical Low Pass) Filter, a hardware component sometimes found in a digital imaging system[1].  The filter typically sits just above the sensor and its objective is to block as much of the aliasing and moiré creating energy above the monochrome Nyquist spatial frequency while letting through as much as possible of the real image forming energy below that, hence the low-pass designation.

Downsizing Box 4X
Figure 1. The blue line indicates the pass through performance of an ideal anti-aliasing filter presented with an Airy PSF (Original): pass all spatial frequencies below Nyquist (0.5 c/p) and none above that. No filter has such ideal characteristics and if it did its hard edges would result in undesirable ringing in the image.

In consumer digital cameras it is often implemented  by introducing one or two birefringent plates in the sensor’s filter stack.  This is how Nikon shows it for one of its DSLRs:

d800-aa1
Figure 2. Typical Optical Low Pass Filter implementation  in a current Digital Camera, courtesy of Nikon USA (yellow displacement ‘d’ added).

Continue reading A Simple Model for Sharpness in Digital Cameras – AA

A Simple Model for Sharpness in Digital Cameras – I

The next few posts will describe a linear spatial resolution model that can help a photographer better understand the main variables involved in evaluating the ‘sharpness’ of photographic equipment and related captures.   I will show numerically that the combined spectral frequency response (MTF) of a perfect AAless monochrome digital camera and lens in two dimensions can be described as the magnitude of the normalized product of the Fourier Transform (FT) of the lens Point Spread Function by the FT of the pixel footprint (aperture), convolved with the FT of a rectangular grid of Dirac delta functions centered at each  pixel:

    \[ MTF_{2D} = \left|\widehat{ PSF_{lens} }\cdot \widehat{PIX_{ap} }\right|_{pu}\ast\ast\: \delta\widehat{\delta_{pitch}} \]

With a few simplifying assumptions we will see that the effect of the lens and sensor on the spatial resolution of the continuous image on the sensing plane can be broken down into these simple components.  The overall ‘sharpness’ of the captured digital image can then be estimated by combining the ‘sharpness’ of each of them.

The stage will be set in this first installment with a little background and perfect components.  Later additional detail will be provided to take into account pixel aperture and Anti-Aliasing filters.  Then we will look at simple aberrations.  Next we will learn how to measure MTF curves for our equipment, and look at numerical methods to model PSFs and MTFs from the wavefront at the aperture. Continue reading A Simple Model for Sharpness in Digital Cameras – I